Tuesday, 1 March 2016

BJFF 2016: Shady

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Shady a Japanese thriller released in Japan in 2012 and then by Third Window the following year in the UK. This was a welcomed addition to the Brick Lane Japanese Film Festival. A 93 minute story of bullying in Japanese schools where the treatment gets so out of hand that school children take justice into their own hands.

Kumada (meaning Bear and Rice Paddy) played by Mimpib is the overweight student in her classed bullied by the popular girls and nicked name 'Pooh'. She witnesses bullying in her class but does not intervene to avoid herself being caught in the cross fire. Eventually one girl goes missing and her case becomes high priority in the news and also a mystery at school. Who kidnapped her? A teacher, a fellow student? Is she still Alive? these are all questions running in Pooh's mind.

You eventually realise that the girl who has gone missing was also a bully who had made other girls lives hell including pretty loner Izumi. Strangely she is given a hard time for being attractive the opposite of Pooh. Izumi reaches out a hand of friendship to Pooh and they become close friends. Pooh finds it hard to believe how kind Izumi is and despite neglecting to help Izumi in the past when she was being bullied.
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You begin to feel uneasy by this instant clinginess to Pooh by Izumi and she even follows her to her only club which is the biology club where she is the only member. Izumi envy's the love Pooh has for her class fish and mysteriously the fish dies. Izumi says it was a accident but who can really be sure? Was this a malicious attatck as Pooh formed an attachment to a fish, no a male fish?

At a shopping trip Izumi treats Pooh to some mascara which Pooh refutes as it was stolen and she makes advances on her. This left the audience confused, what was it Izumi wanted from Pooh? Or was she securing Pooh's loyalty by doing pleasurable things as a form or bribery. Nothing is clear and the plot thickens when Izumi see's Pooh has a bird as a pet, a male bird, Izumi demands to borrow Chuta the bird and Pooh is alarmed and at first refuses but is emotionally blackmailed into agreeing. The next day Izumi makes a joke abou the bento she has made Pooh saying it used to Chirp and immediately Pooh believes she is eating her pet Chuta. At this point you would think Pooh would end the friendship but somehow Izumi talks her way out of it. Mean while there is a lot of emphasis towards the missing classmate and the bullying at school.

One thing leads to another and things suddenly move fast paced, Izumi invites her to her flat, different from her house, their is a horrific stench coming from one of the rooms. They are also joined by another guest, one their their school teachers who Izumi explains is giving her test questions in exchange for sex. Things start to make more sense, perhaps the bully at school was horrible but she wasn't the one who dissapeared the other girl, Izumi so tramatised from the bullying has snapped and done one terrible thing after another...to a point of no return. The end result is only bloodshed.
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Written and directed by Ryohei Watanabe he focuses on inner torment inside human beings and how innocence can be polluted and turned into manipulation and selfish gain. We see the change physically manifest in Izumi through her eyes becoming blood shot and the mirrors smashing as she puts on her 'facade' aka the stolen makeup.

This film explores bullying as a real phsycological experience which is shown as more harmful than physical fighting. Similar to the film Confessions this film really looks at taboo subjects and exposes the Japanese education systems flaws. No one see's the bullying nor goes to investigate the disappearance. There is a sense of negligence.

Overall the film was slow paced which built up to a swift conclusion, every detail mattered so you really had to focus on the film. It didn't feel long at all, the animal torture aspect is shown to be an outlet for students in a few films I have seen so far which is perfectly disturbing signs of a psychopath. Even though it was low budget and you only see a small cast set in a school, it is perfectly directed. Pooh has many opportunities to seek help but feels trapped in an open world. A great physiological thriller to be appreciated , you will enjoy this if you liked the Audition.

Showed at Brick Lane Japanese Film Festival with permission of Third Window Films. Available to buy online.

Tuesday, 2 February 2016

BJFF 2016: Story of Yonosuke

The Story of YonosukeThis film was something I had to watch after missing the first UK screening with The Japan Foundation East Side Stories film festival. It follows the life of Yonosuke starting college in 1987. 

After ticking yourself off the guest list, you are welcome to choose the free sake or beer of your choice which included Saporro and Mio. You then walk into a cosy room with seats at the back then blow up mattresses for people to sit on at the front.

You follow his life and the friends he meets and the impact he has on their lives. He meets Yui, who gives him a lot of attention and follows him around. This chance meeting leads him into taking her to check out the different clubs. The clubs system is very popular in Japan and the clubs campaign hard to get freshman to join.

Here they bump into an awkward guy who met Yonosuke at the opening ceremony. Whereas Yonosuke complimented Yui's eyeliner, this guy criticised the glue on her eyelid. Someone they end up dating all thanks to Yonosuke!

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Through out the film you are taken between the past in 1987 and the future where the couple reminisce hanging out with the carefree and funny Yonosuke, but where is he now?
You later see that the couple drop out of college due to Yui falling pregnant. Yonosuke carries on samba the club that the three joined. He makes a new friend Kata. Kata is a quiet guy who tries to avoid Yonosuke at all times but ends up getting caught up in his questions and ideas and seeing benefits hanging with Yonosuke.

Through Kata, Yonosuke accompanies him on a double date and meets Shoko, she is rich and takes an instant fancy to Yonosuke. Finding all his jokes hilarious and his poverty refreshing.

She turns up at his apartment and tells people they  are dating. This is strange for him. At the same time Kata reveals a deep secret on why he doesn't date women. Yonosuke shows unconditional to Kata and he in the future recalls him as the most interesting part of college.

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Not only a true friend too, but even a great son, coming to visit and calling regularly it's a shame his mother chose washing dishes over speaking to him. It flicks to the future where his mother writes to Shoku sending her a requested item Yonosuke promised her a long time ago.

Even though the film is 160 minutes long, you were engrossed for every second laughing along with Yonosuke's naivete with him falling in love with the out of his league IT girl, third wheel behaviour with Yui and her boyfriend, dancing his samba proudly on stage or sharing watermelon with his newly outed friend.

I recommend watching this film to give people motivation with life. It would prompt you to get in touch with that long lost close friend you had from University.  Give them a call. Life is too short.

Showed at Brick Lane Japanese Film Festival with permission of Third Window Films. Available to buy online.

Tuesday, 19 January 2016

The Japan Foundation Touring Film Programme 2016


The Japan Foundation Touring Film Programme 2016 has kick started the year with some great movies for people to watch to educate themselves in Japanese culture. This years theme is IKIRU: The Highs and Lows of Life in Japanese Cinema.

Running  from 5 February to 26 March 2016, the first stop is London ICA, the ICA is particularly one of my favourite cinemas as they are tucked away in between Charring Cross and Piccadilly on the outskirts of a serene park. Inside a home to art exhibits, cafe, trendy bar, walk in gift shop and comfy cinema screens for lots of independent films.
The Japan Foundation added two anime's to the list due to popular demand and here are the titles:

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Anthem of the Heart

We follow Jun Naruse a young girl who believes her words have caused unmeasurable trouble. She is one day visited by a mysterious ‘Egg Fairy’ who casts a spell on her preventing her from speaking, stopping her from conveying her emotions. When she enters high-school, Jun is asked to join a musical – a group which turns out to be an unexpected mix of students all suffering from emotional trauma just like Jun. Through the key themes of friendship and music can will Jun be able to find her voice again?

A charming story from the creators behind the smash hit movie, Anohana: The Flower We Saw That Day. The creative team of director Tatsuyuki Nagai, scriptwriter Mari Okada and character designer Masayoshi Tanaka return with a completely original animated film which was a huge hit upon its domestic theatrical release in late 2015, touching many hearts across Japan. (Distributed by All the Anime)

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Miss Hokusai

A animation from the Keiichi Hara who, who's film, Colorful, the Japan Foundation screened previously. (Watch the interview with Keiichi Hara here.) Set in early Edo period, this animation brings to life the story of O-Ei, the daughter of the ukiyo-e master, Katsushika Hokusai (globally famous for his piece The Great Wave).

Based on the original manga Sarusuberi by Hinako Sugiura, an adaptation which Hara, a huge fan of the series, called ‘a dream come true,’ the film brings Sugiura’s comic and worldview to the big screen, creating a wonderfully detailed recreation of Edo life through combining hand-drawn 2-D with 3-D techniques. The film scooped three awards at the 2015 Fantasia International Film Festival in Montreal, including the Satoshi Kon Award for best animated feature film. (Distributed by All the Anime)

Here are also a few that have taken my fancy:

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Uzumasa Limelight

An award-wining film telling the admirable story of Seiichi, a ‘kirareyaku’ actor whose main job in samurai movies is simply to be killed-off by the lead star. When the studio where Seiichi works decides to discontinue its samurai epics, Seiichi finds himself at a loss but hope arrives in the form of a young woman named Satsuki, who soon becomes his disciple.
Using Charlie Chaplin’s Limelight as an underlying theme, this film pays homage to the unsung heroes of Japanese movies filmed in Uzumasa film studios (Kyoto), Japan’s Hollywood. The semi-autobiographical performance by real-life kirareyaku, 71-year-old Seizo Fukumoto, who is said to have acted out 50,000 on-screen deaths, earned him the best actor prize at the Fantasia International Film Festival, Montreal, in 2014, with the film also winning the festival’s Cheval Noir for best film. (Distributed by Third Windows Film)

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I'll Give it My All...Tomorrow

Fed-up forty-something Shizuo (Shinichi Tsutsumi) quits his secure job to become a full-time slacker, embarking on a reluctant pursuit to follow his true dreams. Despite now spending most of his time hanging around the house in his underwear playing video games and working part-time at a fast-food restaurant, Shizuo eventually comes to realise his true passion in life: Manga! Without much preparation or any skill, Shizuo starts working on his masterpiece…

Adapted from Shunju Aono’s popular manga series, this comedy by Yuichi Fukuda (the director behind HK: Forbidden Super Hero) follows the mid-life crisis of a loveable lazybones trying to find his calling. It will no doubt delight many aspiring manga writers of all stages of their lives! (Distributed by Shochiku)

Starting at the prestigious ICA London from 5th February - 11th February
Find the full list of movies and anime on the Japan Foundation website.

Saturday, 16 January 2016

Review : The Danish Girl

This film has been rumored to receive many oscars, starring mainly Eddie Redmayne and Alicia Vikander. Redmayne already famed for playing Stephen Hawking in The Theory of Everything, for which he won the Academy Award for Best Actor, the BAFTA Award, the Golden Globe Award, and the Screen Actors Guild Award.

The Danish Girl is fictitious love story very loosely inspired by the lives of real Danish artists Einar Wegener and Gerda Wegener. We follow the lives Einar and Gerda's both artists within their own rights evolving in their careers and the interesting aspects of their personal life.

Einar is a famous landscape artist who often props up his wife for which she resents him as she believes she can be respected as an aertist without his recommendation. She focuses on portraits and one day she asks Einar to do a favour for her to wear stockings and ballet shoes to help her complete her ballerina painting which triggers a series of emotions in Einar.

Einar is not social-able and loathes art parties, even for his own work and would rather reside in his work or privately with his dominating wife. It is her dominance that brings to light Einars hidden side. Upon wearing one night a satin under garment she unearths a dark secret Einar has been keeping locked within his heart for years.

Einar is in fact struggling in a battle within himself as he has been unable to impregnate Gerda and has been suffering stomach cramps every month and having nose bleeds...similar to ladies periods. These motions tied in with a series of cross dressing antics bring to life Lili Elb, his alter ego if not his true self. Gerda after witnessing an emotional infidelity ends up supporting her husband or Einar's cousin as they introduce Lili to others through her mental anguish. After many diagnosis of perversion, schizophrenia they finally find an american doctor willing to preform a groundbreaking surgery on Einer, making him a transgender pioneer.

This film delved in deep into a persons psyche and I was quite suprised at how important art was and how art as a profession which meant everything to Einar was a reminder of Lili's past life. Einar the painter was now Lili the muse. What Gerda awakens in her husband, his true self Lili she now awakens Gerda's artistic potential. Gerda's portraits of Lili sell like hot cakes, and are exhibited in Paris and yet all Gerda longs for is her husbands embrace which is forever lost.

This film is for thinkers and I would not recommend for anyone under 18, my friends walked out very pleased with the film, I walked out feeling empty and sad. Happy or tragic ending, you can decide.

To follow my adventures at conventions, and to read my anime/gaming reviews and see general cat photos follow me on Facebook and Twitter.
^_^ Aisha Anime

Monday, 21 December 2015

We are Perfume: 3rd Document Movie

It was great to have the opportunity to see rare Japanese films on the big screen let alone a documentary about a music band. We are Perfume: 3rd Document Movie was shown at Rich Mix in Bethnal Green sold out completely of merchandise including 30 t-shirts, 30 stickers and 30 folders showing the documentary title photograph. 

The showing itself big enough to screen 100 filled a whooping 89 seats at 12 noon on a Saturday, this was a great success for the NHK to show in the UK and should be an incentive to show more niche Japanese movies in London.

Amongst Japanese enthusiasts the UK Perfume PTA were in attendance with all there purchased merch and there own fan made items including laser printer models of the three ladies in a fans hat. It was also nice to see genuine Japanese fan towels on show too.



 The Film itself used footage from Perfume's debut audition tape to the most recent tour in 2014 mixed with new interviews. We got to hear from the girls themselves how they met and the introduction of Nochhi to the group and how they felt she was the relaxed member who brought fun to the overall serious thinking troup.

One of my favourite moments was footage from the London tour last year which I attended, Nochhi in fact forgot some of her steps and had a moment looking around on stage lost - this was not something a lot of people would notice and she talks about it opening and then we see the comical clip. It's these moments that show they are human as well as famous pop idols, at last we see the idols who strut around in heels put their legs in ice to calm the leg swelling!

It was also a great insight into the bands rituals, how the three say a mantra before each show and pat each o n the back for reassurance. It is also great team work and they show appreciation to all staff alongside them put the shows together. When the LED lights malfunction on the USA tour the poor manager takes the blame upon herself when Perfume reassure her they did a great performance despite which was a test to their ability and the fans enjoyed the show.

Speaking of fans watching the rare meet and greets was invigorating a select few in USA got to meet the band intimately including having chats and lots of photos. Any suggestions on favourite songs where taken very seriously and A-chan would re evaluate each set list before the next show.

I have also been educated in Merlions thanks to this documentary, if I ever go Singapore I am checking it out. The ladies discover different tourist attractions in each destination they go to and even get recognized in the street. You followed the trio with their highs and lows and feel close to the aspiring singers who still have yet to hit the big time in their own (modest) eyes. Their next big aim to perform in Times Square in 2017 - let's see if this will happen.

A great documentary using backstage filming with high quality interviews with each individual member put into a chronological order following the whole 3rd Perfume tour in 2014. Definitely worth buying on DVD when it's out.

For more news on anime, cosplay, games and Japanese culture follow me on Twitter and Facebook.

Saturday, 7 February 2015

Ninja magic: iconic anime hero Naruto is coming to Manchester and Glasgow!

 Ninja magic: iconic anime hero Naruto is coming to Manchester and Glasgow!

It's official, anime fans; Manchester and Glasgow will be playing host to much-loved ninja Naruto later this year! Maile Flanagan, the voice of iconic anime hero Naruto Uzumaki, is to be a special guest at both July's MCM Manchester Comic Con and September's MCM Scotland Comic Con, show organisers have announced. As well as meeting fans and signing autographs, Maile will be taking part in on-stage panels at both events.

Since taking on the role of Naruto in 2005, Maile Flanagan has played the hot-blooded über ninja in more than 200 episodes of Naruto and over 275 episodes of sequel series Naruto: Shippuden, as well as appearing in numerous spin-off feature films and games.

In addition to voicing one of anime's most famous protagonists, Maile's live action appearances include US sitcom Lab Rats, Jim Carrey comedy Yes Man and acclaimed indie rom-com (500) Days of Summer. She has also voiced characters in animations such as Rango, Ice Age 3 and kids' cartoon Jakers! The Adventures of Piggley Winks, for which she scooped a Daytime Emmy Award.

Tickets to MCM Comic Cons are available at: www.mcmexpostore.com

MCM MANCHESTER COMIC CON – MANCHESTER CENTRAL – 25-26 JULY

 MCM SCOTLAND COMIC CON – GLASGOW SECC – 26-27 SEPTEMBER

Website: www.mcmcomiccon.com
Twitter: @MCMExpo
Facebook: www.facebook.com/mcmexpo
YouTube at www.youtube.com/mcmexpo

Friday, 6 February 2015

It Only Happens in the Movies? Japanese Cinema and Encounters: A Letter to Momo

After mentioning on all my feedback forms last year previously writing in capitals 'More anime please' I was pleased to see two on the line up for the touring film festival from the Japan Foundation. The ICA is a great choice of venue in the heart of the West End holding a cosy hide away for Japanese enthusiasts.

A Letter to Momo (Momo e no tegami in Japanese) follows a 11-year-old girl called Momo who ='s world is turned upside down by the recent death of her father. Growing up in Tokyo her whole life and then being up rooted to the country was already a shock to her system. At first we see Momo as a shy and bewildered child, constantly hiding behind her mother and barely saying a word. As they are ferried to their new home she is hit by three water drops on a sunny day, this is not mere water, these drops hold the form of Yokai (demons).

They move to the old family house with an uncle and aunty on a remote island where time has stopped living in old fashioned sliding door wooden buildings with holy shrines on every road and no shopping centers around. Momo is constantly thinking about her father due to having an argument the day he died and finding an unfinished letter from him addressed to her...which she keeps close to her at all times reading over and over again the words “Dear Momo.” Her aunty tries to entertain her by showing her the attic and her uncles prized Yokai picture books. One is particular in a box becomes prey to the water demons.

Directed by Hiroyuki Okiura (Jin-Roh: The Wolf Brigade). Seven years in the making and supported by a top-class team of skilled creators, A Letter to Momo uses traditional hand drawn animation fused with a simple story. Often compared to Spirited Away this story has similar aspects but is completely different in  everyday. Here we find the three demons are there ona  mission to keep Momo and her mother safe till the father reaches the afterlife. We aren't given much more information about the mission or the other spirits that Maade makes friends with.

Alongside the trials of stopping the demons from stealing items and ran sacking crops to feed their never ending hunger she also has a sort of love interest in local boy Yota. She's scared to make friends or dive off the bridge same as she is to move on and let the painful memories of her father go. Her relationship with her mother is also strained due to miscommunications. Sadly the mum thinks Momo is lying when confronted about the stolen items mysteriously appearing in the attic and they argue which triggers off an asthma attack.

The mothers illness turns out to be quite severe and she requires medical assistance but guess what there's only one doctor on the Island and he's off on a house call on another Island. At the same time the weather worsens and well Momo has to take some drastic measures. We see only one part of the journey where she and Iwa (Momo's mother's old school friend) travel with spiritual assistance to sheld them from the rain and wind and miraculously her mother is cured.


The demons are funny and only stay for a span for a few days and it is quite sad to see them leave after finishing there mission. However do they fulfill Momo;s last request about sending her letter to her father? You will just have to see for yourself.  There is also an American dub version of this film.

Buy tickets to watch it now.
For more news on anime, cosplay, games and Japanese culture follow me on Twitter and Facebook.

Wednesday, 4 February 2015

It Only Happens in The Movies? Japanese Cinema and Encounters: Blood and Bones

Blood and Bones also known as Chi to Hone in Japanese is directed by Yōichi Sai and starring actor/comedian/singer Takeshi Kitano (who also starred in Canadian movie  Johnny Mnemonic as well as Japanese productions). It is based on the semi-autobiographical novel 'Chi to Hone' by Zainichi Korean author Yan Sogiru (Yang Seok-il).

Released in Japan 2004, it was chosen to be shown as part of the Japan Foundation's It Only Happens in The Movies? Japanese Cinema and Encounters touring film festival now. The film was nominated for 12 Japanese Academy Awards and won four, including Best Actress, Best Director, Best Supporting Actor, and Best Screenplay.

Set in the 1923, the story is narrated by son Masao who describes his father's journey from Korea to Japan.  A young Kim Shun-Pei moves from Cheju Island (South Korea), to Osaka (Japan). This isn't an easy transition due to war between the country and despite fighting brothers in arms there is still a lot of hatred between the Japanese and Koreans.

We watch the cruel misdeeds of Kim abusing his wife and children throughout the film. This leads to an inner greed as the violent man decides to destroy a house to make it into a fish cake factory and forces his family to help in slave labouring for him. Even though this provided jobs for the poor Korean-Japanese community he exploits his employees and punishes them for revolts.

He makes a fortune, then takes a mistress and continues to mistreat his former family whenever he is stressed. He shows respect to no one. Later he closes the factory when business declines, becoming a money lender now with help from his mistress becomes a successful loan shark. His evil personality does not change towards even his brother or family. After his mistress develops a brain tumour he shows some human compassion and takes care of her and takes on a maid to look after her full time.

This turns out to be a new mistress as he wants another heir to his wealth. Through much raping he has many illegitimate children who all eventually leaves him. Eventually his daughter marries a man she doesn't love to escape his abuse and she ends up in an abusive marriage. Sadly she seeks advice from her brother Masao who recommends she leave her husband or quit  moaning. Sadly she commits suicide leaving the husband quite happy. This affects Kim who beats up everyone at the funeral.

At this point he is losing his physical strength and mind, he carries on his mean life even after he kills his terminally ill mistress ad the second mistress leaves him. He seeks consolation from his wife who he left for dead after she developed cancer, she recoils and dies eventually too.

After all his mean-ness he kidnaps his illegitimate son, makes him stay with him to his bitter demise and leaves his fortune to Korea.

I left the cinema screening feeling sad as no one got a happy ending. Masao moves away and only the uncle and his wife survive. the poetic cousin moves back to Korea and is never heard from again. Great acting from the cast especially Beat Takeshi. Catch the film as it tours the uk : http://www.jpf-film.org.uk/

Sunday, 1 February 2015

It Only Happens in the Movies? Japanese Cinema and Encounters: A Bolt from the Blue



A time travelling magician? A great addition to the Japan foundation's touring film festival at the ICA London.

A Bolt from the Blue also known as Seiten no hekireki was a hit in Japan from 2014 due to being directed by a famous comedian, Hitori Gekidan. Based on Hitori’s own novel, it was a huge box office success in Japan. However there us more to the movie than meets the eye.

A movie following a dead beat magician with the skill but nothing to motivate him. Begrudging his parents for all his failures he lives by himself after leaving his dad after college. Resentful about his mother leaving him, he watches younger magicians get fame for his tricks.

One day after his flat is flooded he receives a call that his father is dead. He goes to the place where his body is found and discovers he had been homeless and living in a cardboard hut. In the hut he finds a photo of his father holding him as a baby, then like magic a both of lightening hits him and he is taken back in time to the year 1973.

Asakusa is the a place to launch stage performers and with help from a kid he is accepted as a trainee magician. It is here where he crosses paths with his young father to be.

With all the indications of his fathers faults and his birth nearing - will he find out the truth about his mother? Will he carry on to live life so bitterly. A great film to take inspiration from. Shape your life as you want do not run away and make excuses.

Buy tickets to the next showing (Jan 30-March 2015): https://www.ica.org.uk/whats-on/seasons/japan-foundation-touring-film-programme

It Only Happens in the Movies? Japanese Cinema and Encounters: Nobody to Watch Over Me



My favourite genre in Japanese film is Horror/thriller so I was excited to see 'Nobody to Watch over me' part of the Japan Foundation's touring film festival at London ICA.

Nobody to Watch Over Me (also known as Dare mo mamotte kurenai in Japanese) was a particularly interesting film directed and written by Ryoichi Kimizuka. It looks at crime through a different perspective. After watching Lady Vengeance you get an insight into the police force and how they humiliate the perpetrators on TV and seek out revenge. Nobody to watch over me follows the sister of an alleged killer. 


A police officer part of the case is sent to protect her from the media, stalkers and committing suicide. Whilst he does so and out of sympathy goes back to the family home to retrieve her mobile her mother has had enough of the allegations and hangs herself. The case is now point towards the police force for neglecting to save the public and protecting the 'killers' family.

Strange thing is we are never really sure if the boy killed the sisters or not, seeing as the only possible person to have interacted with him on the day was the sister and she refuses to talk.


Sadly the 15year old is hounded by friends, Internet and general weirdos. At the same  time you do start to question the police officer who chooses to hide her at a former victims hotel by the sea.

Needless to say this is a dark psychological movie with some action scenes to compare driving to the fast and furious Tokyo drift. Loving how versatile Ryuhei Matsuda (actor from Otakus in Love) is playing partner Misima giving the odd comedy moments.

A film to make to think of your family and appreciate all those precious moments before they are gone.

To buy tickets to the next screening as part of the touring film festival (30th Jan-March) use this link:
http://www.jpf-film.org.uk/venues/ica

It Only Happens in the Movies? Japanese Cinema and Encounters: My Little Sweet Pea


 I began to see the genre Japan Foundation chosen for this years film festival at ICA London- loss of family and had a great sadness watching the protagonist fight her emotions on whether to accept her estranged mother or not.

Catch another showing of this film:

Filmhouse
26 February 2015

Tyneside Cinema
2 March 2015

mac birmingham
3 March 2015

My little Sweetpea

A contemporary film set in current Kapan where Meguka lives a life of struggle with her brother ( Ryûhei Matsuda also starred in Otaku's in Love). Their father dies 3 years ago and lives on her Brothers wages or so she thinks.

Her world is turned upside down when a woman turns up on there  doorstep claiming to be her mother. Abandoning them as children due to their fathers infidelity Megu and her brother find it hard to forgive her.

However out of greed then agree yo her living with them as she had been sending them rent money regularly but was now unable to afford it. Megu is forced to lice with her mother Saiko as the brother decides to move out out of irritation.

She cannot tolerate the molly codelling and invasion of privacy, after her manga is thrown out and her application to voice acting school opened she lashes out at Saiko. Soon after she passes away from advanced liver cancer.

The story takes a strange detour where Megu travels to her mothers home town to bury her. Here us stared at and treated like a celebrity as she is the spitting image of her mum. Saiko was the high flyer and beauty queen of town.

Megu begins to learn more about her mother and the hardships of divorce. Did she come to stay with her knowing these were the last moments of her life? She didn't become the rich singer she dreamed of being but she was happy to have her kids. Through meeting the people in the village especially Saiko's friend Micheru she forgives her mother.

This film covered a lot of life's hardships, people are complex and not always clear. Also it was great to see hard working adults indulging in past times such as manga. Parents overall shape our behavior and way of living. Also was nice to see the curators choose a film looking at Otaku culture and having the actor Matsuda re appear after being show in Otaku's in Love at the last years touring film festival.


Saturday, 31 January 2015

It Only Happens in the Movies? Japanese Cinema and Encounters:Wood Job

The end of January marks the start of the Japan Foundations acclaimed touring film festival. There is normally a theme and a collect of movies to match and depict contemporary and past of Japan. After the introduction an an anime called 'Colourful' featuring the famous director in attendance, Keiichi Hara, (directed, Shin Chan, Doremon). They have returned with two more anime's for there line up.

Wood Job! directed by Shinobu Yaguchi (directed Waterboys) brought a stir to the ICA London last night. With a sold out screening of the movie which held promise of comedy and foresting. Looking at the preview photos it is apparent the film is about nature and country life. We follow protagonist the city kid Hirano Yuki falling in love with a photo of a girl in a lumberjack magazine.

Unlike most boys, he decides to become a lumberjack in hope of meeting this beautiful girl - he has no idea what he is in for.  He has to learn the physics of trees and why people become forresters. This deters him from the start and before running away he actually encounters the girl from the advertisement and finds out which area she is from. Skip a intensive learning course and he has graduated and now embarks a year placement at a village to learn the physical ins and outs of felling trees. This again wouldn't be too bad if the region he chose (to find the love of his life) wasn't in the most treacherous mountain with the supervisor who hates his guts.

Yoki takes to the village introduces him to the people and tells him not to think of running away and Yuki tries but when he figures it's a 2 hour drive to the only bus stop he begins to realise he is needs to suck it up. For eating snakes to being munched on by leeches he grows up fast in the village and this becomes his way of living for a year. He appreciates the smell of the freshly cut trees, the money made for a finely kept log and even  gets to meet the girl of his dreams - a maid since she was dumped by the last trainee forester - ouch.

This film integrates so much comedy between Yuki and villagers from the culture clash and does so subtly as compared to Waterboys. The film strengthens the notion of looking after mother earth and making do with what you have. A group of Yuki's town friends come to spectate his new life and disrespect his lifestyle which makes him question going back home. Without spoiling the ending he has a lot to prove to the village before being considered a true mountain man.

Watch it on 3rd Feb at the ICA buy tickets here:

https://www.ica.org.uk/whats-on/japan-foundation-touring-film-programme-wood-job-qa-0

Thursday, 29 January 2015

Shorts on Tap: Tokyo Calling Event

Following a last minute tweet I found on Monday the 19th January, I found myself attending a film makers event organised by Shorts on Tap.

These guys had a line up of seven Japanese shorts for keen enthusiasts to watch and enjoy in aid of a collaborative event also being held in Japan on 9th Feburary called 'London Calling'.

I was absolutely wowed by the hidden venue with great laid back atmosphere and the actually viewing room with own private bar. If you bought your ticket online (£3) you had earned a reserved seat and it was a must to turn up on time otherwise you'd be standing or sitting on the floor.

The event was absolutely rammed packed ! The night itself was hosted by the charming Pia who introduced us to the movies and possibility of Q&A with directors of the shorts. unfortunately none were in attendance but this did not take away from the event. With waves of applause after each short screening.

The line up was as follows:

RIGHT PLACE by Kosai Sekine

This follows a man with his quirks working at 7 Eleven convenience store in Japan but not quite getting the retail job spec right. He then get's fired and finds a flyer for a new job, not something all people would be good at but it was the RIGHT PLACE for him. Previously shown at the Asia House - Pan Asian Shorts film festival.

BLIND by Yukihiro Shoda

A short about  is about the Fukushima radioactive disaster in Japan, the world being infected with disease and humans being blinded by gas masks and therefore not really experiencing life? That's what I got. A really artistic short.

CHIRURI (animation)by Kawasaki

An animation mixed with hand drawn/water colour and 3D I wasn't sure what it was depicting apart from poverty and people becoming slaves to their jobs. The animation was beautiful

KONNICHIWA BRICK LANE by Saera Jin

Absolutely loved this, based around the area we were sitting - follows relationship if a Jpanese couple living in London, cheating and moving on. Makes a comment on braving the world and trying something new.

VALLEY OF DOLLS by Fritz Schumann

This documentary style short was both intriguing and creepy following the life of a lady living in a town of 37 people but inhabited by 300 + dolls she had made. I would love to see a feature film of this.


MEMORY SCULPTOR by Ken Ochiai

An action pack short staring Denden him and his mentor go into peoples memories and delete them. This particular client is having an affair, the wife wants to make her marriage work by removing all memory of the mistress.

HIDE AND SEEK by Kayoko Asakura

A great way to end the night with phscological thriller where a student turns up to learn how to play  the Koto. Where she is pulling into a game of ‘HIDE and SEEK’. To view all the shorts shown on the night go to the Shorts on Tap site,

I really recommend anyone who has an interest in watching films or film making to go t future events. A really enjoyable evening. I even got a few streetpasses.

Photo by Daniele Roversi




Monday, 26 January 2015

Who are Short's on Tap ?


Shorts On Tap is a collective who showcase short films, from both up-and-coming and well­ established film­ makers, at venues all over London and Japan.

They provide a great opportunity for people to discover the best material from the contemporary independent short­film scene, a place for exchanging ideas and networking or simply a treat for a great night out.

Featuring great talent and sometimes special guests from the film industry including directors and actors. Shorts On Tap is striving to promote short film­making from a whole  range of genres and styles and in the most inclusive way: from narrative to experimental; documentaries to animation and also music videos. We always deliver a varied, eclectic, dynamic show.

Our themed events provide a platform that enables film­makers to actively introduce their ideas to the audience. They normally have a Q&A session after each screening, which everyone attending is welcome to join in.

At each screening a special Jury Panel is in charge of picking the 3 best films from the night: the directors of the films chosen are then invited to form the following event's panel and so on, in a sort of 'domino effect'. An external guest from the film industry will also contribute to the panel, such as a professional film critic, a director producer or distributor.

Feel free to submit your work - there's no deadline, no charge, no fuss

http://shortsontap.com/submit/

Monday, 5 January 2015

Review: The Pyramid

Being a huge horror/thriller fan I had to watch this movie regardless of any bad reviews or the cast.

*Spoilers Ahead*

Produced by the team who made 'The Hills have Eyes' I knew there would be some softcore porn or rape, I was surprised to see neither. There was a questionable scene where a robot was filming a girl get changed but no nudity was seen only implyed.

Initially we follow Sunny, anchorwoman for her documentary of a new pyramid being discovered due to satellite signals uncovering a tip. Her and cameraman Fitzpatrick aka Fitzy (clunge guy from The Inbetweeners, James Buckley) interview father and daughter about their discovery.

Amongst some loose love affair between Noora Holden and Michael Zahir (a cocky Arab speaking tech guy) you see that they are revoked access to entering the newly discovered pyramid due to uprising in Cairo.
 They literally are packing up to leave by Zahir drives his robot into the pyramid to get footage of the inside but something attacks it 'maybe it was a wild dog that wondered in' ohhh no that is most certainly the least likely thing to have ripped this robot into pieces. After intially opening the tomb the poisonous gas killed a man and infected others - animals are much more sensitive to smell and would of ran miles away.

However they decided to set off inside to recover the expensive equipment borrowed from NASA (why they lean't it to that tool Zahir I will never understand). So despite the Arab solider warning them not too they venture in and get royally lost. Their wire mysteriously gets cut and they feel it is appropriate to remove their masks in the poisonous tomb. Things are going splendid so far, lost, found bits of the robot, the room collapses, Zahir is trapped under a rock. Actually the rock falling on Zahir is probably my favourite part of the movie mixed in with Fitzy's one liners making this horror some what amusing though it REALLY shouldn't be.

In an attempt to escape Sunny, reveals she rock climbs in her spare time and climbs up but gets her faces scratched by some unknown beast. I think they are starting to get somewhat worried. They leave Zahir to sit around and bleed to death while they look for another way out but he would be lucky to have such a painless death. Something rips his body away from the rock and takes him up the hole.

At this point you realise there are more than one entity in the tomb and they are hungry. This leads to them shitting themselves and running, which is ALWAYS a bad idea, they trip over traps or in the Dr's case, he presses stuff he shouldn't be and sets off a trap, Indiana Jones/Goonies style they run through the corridor to avoid being suffocated by the sand being let in.#

The strongest and most agile person, Sunny, avoids everything to stop at the spike pit to have FItzy run and accidentally push her in to it. The next part is more cringe worthy then the torture in the Saw movies, she has spikes in her chest shoulder leg and guess what those creatures comes out. Looking like pet cats of the Pharoahs buried alongside them they start eating her. I can only imagine the agony of having being impaled to being then ripped apart. They light flares to scare the zombie kitties away but she dies from shock and wel you see her face has become highly infected from the scratch, she wasn't going to survive either way.

Through common sense and Egyptian know how the father and daughter deduce the cats survived by eating each other and breeding. Again stuff I found interesting but Fitzie kept telling them to stop blabbering and escape.

Now they get trapped and lost and the guard actually makes it in to then be grabbed and dragged through a tunnel which led to a dead end. But for the guard to get in through a different way - means there is a way to escape right? Perhaps but I think I was more freaking out about the thing that broke his body to drag him through that tichy tunnel...

The Doctor again manages to press something and a wall moves and they are led to the home of the zombie kittys currently out for lunch. They walk past bones and feces (which there is a lot of from the start). They they find the Pharoah's actually coffin and whilst reading the hyroglifics. Daddy get's his heart ripped out by this massive being. Turns out this is no other than the God Anubis himself. The tomb was actually built to imprison this crazed dog. He had tried to escape Hades to heaven by eating peoples hearts in an attempt to eat a pure heart. After many death, he was captured and buried alive. So daddy is somehow still alive and Anubis holds his hearts, weighs it on a scale then eats it, Daddy turns to dust. Noora freaks out and well Fitzie becomes the hero or so he thinks. They figure out the way to escape in the room while Anubis goes for a stroll.

As they climb out both are gra bbed down. Fitzie is miraculously still alive! Till Anubis steps on his face. It's Noora's turn but conveniantly she picked up a tomahawk in the tomb and uses it to cut free and shank Anubis. She tries to escape...again. Does better as the zombie kitties go awol and start eating Anubis.

Is there light at the other end of the tunnel, after a long 10minutes of her struggling to climb up and drag her carcass to what looks like is an opening. She falls you see her face is diseased with the same infection as Sunny and that all of them contracted at the start when the tomb was opened. A child runs towards her picks up her camera and then she whispers faintly 'Help me' to what I thought was the kid running off with her camera, was actually Anubis dragging both back down in !

It's hard to rate this movie, it was amusing and made me jump at times and the actual CGI for Anubis was pretty good. But sadly not enough detail, this could of easily been a 2hour movie and I would of thoroughly enjoyed it unlike Cabin in the Woods - which was dragged on confusion with a hundred points but nothing elaborated upon. Nice seeing James Buckley in it making it a better film overall. The Pyramid was a great idea left incomplete but I was entertained. Also loved the metal soundtrack that accompanied it !

7/10


Wednesday, 29 August 2012

Ted: A feature length Family guy ep with a a bear

Lovely She-Hulk posing in front of the Ted Poster at LFCC
Anyone who knows me can you tell you I'm not a huge fan of Family guy. The jokes are stretched far too long and the toilet humor makes me more uncomfortable that a hamster being shoved up Mr Slave's arse in South Park.

I mostly heard good press about the movie but apparently it got bad press woo which encouraged me to watch it, if fans DIDN'T like it maybe it was detached from Family guy aesthetics. My bro said it's mostly a 'man' film but all the women were laughin gin the cinema when he watched it so I should give it a try.


The beginning was beautiful, narrated by a British favourite Patrick Stewart, he set's the scene of a child wanting to have a best friend to be by his side forever which well brings Ted to life and you can figure out what comes in the future from all the TV ad's. The usual tug of war between gf and best friend ensues of course with the added bonus of him being a slobbish bear. 

Lots of random side plots and Family guy references yaddah yaddah yah but it was all about the Flash Gordon  and then old man Flash walking into one of Ted's parties. Then the fight between the Chinese neighbor Ming & Flash. Lol not a very PC film and I wouldn't recommend to the kids. it's a 15 as there is no blood (just flying fluff) or sex...practically. Enjoy for a night with the lads or ladies.

Some creepy dancing tho, that was  just...eww.

Wednesday, 20 June 2012

Abraham Lincoln's character true to life apart from the Vampire killing

I went with the intention of my jaw hurting from laughter of how ridiculous this film was going to be. Being a Vampire enthusiast I was goign to watch this movie no matter how awful the reviews (since Twilight I have been skeptical if there will be another decent Vampire movie to come) and well I was mistaken on pre judging this one.

No sparkles or stupid ideologies, just good old fashioned Vampire slaying but with Abraham Lincoln. This film was serious, not enough to be up it's own arse but had a few hidden puns and well if you paid attention to detail you kinda knew where the film's plot was going if not already aware of American History :p

The characters were likeable, and strangely I didn't notice that Mary Lincoln was the love interest from Scott Pilgram, but they all did a good job especially Dominic Cooper - the next big actor, since his leading role in The Devil's Double I knew this guy was gonna hit it big. But let's see.

Movie poster
The 3D effect was more of a comic book pop up effect and not overbearing, i though my glasses were broken to begin with but there was a technical glitch with the film reel at Cineworld lol "Am I going blind, why can I see rainbows everywhere?"

Another nice touch was the lighting comparison when things were good the lighting was a glorious yellow but when it was Vampire killing time it all went blue and their was more emphasis on the faces and detail on the characters which gave an eerie effect.

I wanted more bio/histories on the Vampires Henry (Dominic Cooper) sent Abe after but they were only a side plot, Mary didn't get much spotlight either but overall I left entertained.

Tip of the movie: reach for the Axe; they don't run out of bullets.